Showing posts with label experimental. Show all posts
Showing posts with label experimental. Show all posts

Friday, September 15, 2017

'Terrible Twos'


A new work of mine and eight other premieres, duets by living composers, will be performed at 7 p.m. Monday, Sept. 18 at William Paterson University’s New Music Series, on a program titled “Terrible Twos.” The music was commissioned by Composers Concordance, a group of longstanding currently led by Gene Pritsker and Dan Cooper that regularly performs commissions and performs works by its members. This concert is the first event of Composers Concordance 2017-18 season.
            The program is mostly duets, split between performers Gene Pritsker and Greg Baker, electric guitars; Keve Wilson, oboe, and Kathleen Supové, piano; and Peter Jarvis, multi-percussion and Michiyo Suzuki, clarinet/ bass clarinet. They’ll be performing work by Randall Woolf, Gene Pritsker, Peter Jarvis, Greg Baker, David Saperstein, Dan Cooper, John Clark, and myself. The concert finale will be “a large semi-aleatoric piece” that will include all three duos performing as a sextet. 
My contribution will be in the clarinet and percussion duets, along with new pieces by John and Peter. The title of mine is “Lunatic,” as it was started before the recent total eclipse that captured the attention of all of North America. The event seemed to underscore what feels like a surreal time in American life and culture, one where we’re wrestling with a kind of national psychological complex related to who we were and who we are as a country and a species. The overlay of that superficial fixation onto the underlying forces of creation, symbolized by the eclipse, reveals a colorful, dark landscape of anxiety.
            Admission is free. The concert is in Shea Center for the Performing Arts, William Paterson University, 300 Pompton Road, Wayne, NJ 07470. I hope everyone can come and support both the Composers Concordance and the university’s New Music Series. Both deserve high praise for their relentless efforts to promote new music in high quality performances.


            --C.     
September 15, 2017

theandofone.blospot.com

Wednesday, February 16, 2011

Bergen Experimental Music Group

Received an email yesterday from John Korchok letting me know about a new experimental music group he helped found in Bergen County. The group's meetings have already resulted in the formation of a new ensemble, ArtCrime. The group has a page at meetup.com, for those interested in finding out more. You can become a fan of John's Experimental Musicians in New Jersey Facebook page.

--C.
www.theandofone.blogspot.com
On Facebook

Sunday, December 26, 2010

Wednesday, December 22, 2010

The Video Gifts, Part 4

The selection below is from Bradley Fish, an Israeli/American guitarist who is here improvising on a Chinese guzheng.



--C.
www.theandofone.blogspot.com
On Facebook

The Video Gifts, Part 3

This is Turkish theremin player Cihan Gulbudak, performing under the name Meczûp. You can also find him on Facebook and MySpace.



--C.
www.theandofone.blogspot.com
On Facebook

Tuesday, December 21, 2010

Friday, December 17, 2010

The Video Gifts

There are a whole bunch of videos out there in YouTube-land that I have fallen for in recent months. Some of them are professionally staged performances, some are living room performances. At least one is an audition tape. All of them are apparently single-take live recordings (even where the video is clearly edited, the audio appears to be a single performance).

Most of those I'm interested in are experimental music--but not all. The players are spread around the globe. If one thing unites them, in my mind at least, it is the need to reach an audience with a simple live performance. This seems a little ironic, given that the video is recorded and posted online. But that disconnect only serves to underline the effort they are making to reach an audience. And that's where we come in. The material generally is raw musical sound--not studio manufactured--and the intention is open and pure. We delight in the music as the musician delights in the music.

I'll present these in a series of posts over the coming weeks. First up is a find I shared with Facebook friends about a month ago, featuring Keith Rowe, pioneer of prepared guitar.




For those interested in learning more about Rowe's music, there's a wonderful video available with him talking about his music as a voiceover, with video of him performing.

--C.
www.theandofone.blogspot.com
On Facebook

Tuesday, June 2, 2009

TAG Night in Trenton


I'm playing tomorrow night (Wednesday night, June 3) at Joe's Mill Hill Saloon, in the basement pub. I wrote last month about Wilbo Wright's experimental music series there, TAG Night. So tomorrow I'll be one of the performers.

I recently completed work on a CD, to be titled "Three Rooms", that has an opening and closing sound collage and seven new songs in between. Except for a handful of backing vocals, the music is all performed by me, mostly on my Knabe piano, with inside-the-piano work and some other natural and electronic effects to give it variety. I also do the lead vocals and play flute, guitar, hand percussion, marimba and synthesizer.

So I'll be trying out a few of those songs along with a couple improvs tomorrow at TAG Night. A second CD, of piano music, will be coming out soon as well and I'll probably throw in a couple of those pieces.

Also on the program are:

  • The Harmolodic Bastards (Tri-State), a Trio with ex-members of Bern Nix's band;

  • Dann Pell Moosic (Phila.), freeprov and rockabilly stick-twirler does a freak-folk set;

  • The Nurseryman (West Windsor), one of Wilbo's solo incarnations.

    Suron Song in Stag was slated by has the flu (for crying out loud!) and had to cancel.

    --C.
  • Monday, May 11, 2009

    Stimmung in NYC

    Karlheinz Stockhausen is dead and immortal. His music will invigorate the imaginations of hundreds of generations to come. I say that with confidence these days; I've become a true believer. His experiments now suddenly appear tame and yet still so full of fire, so rigorous and undeniably beautiful to me. His compositions often seem like a single process, a wild river of a logical form that arises from a single stroke.

    But that's enough about my measly little opinions. There's a performance of Stockhausen's 1968 piece Stimmung for six voices with six microphones, happening in New York City this week. A new vocal group led by concert organizer Nick Hallett and including Gisburg, Dafna Naphtali, Robert Osborne, Daisy Press and Peter Sciscioli will perform the work. I know some of these performers profressionally and I'm certain they'll turn in an exciting performance. Music of Invention followers will remember both Gisburg and Dafna for their performances for the Black Box of Asbury Park, here and at SICA in Long Branch.

    This production is the second part of Hallett's a four-part series at the New Museum theater connecting the human voice to multimedia ritual. The concert is 7 p.m. this Thursday, May 14th. The New Museum is located at 235 Bowery, New York, NY 10002. Phone 212-219-1222. Admission is $12 Members/$15 General Public.

    Here's Stockhausen's New York Times 2007 obituary, FYI.

    --C.